Graduate seminar on how audiences actually make meaning from media, rather than how producers intend them to. You'll read across reception theory traditions (effects research, Stuart Hall-style active audience work, fan studies, media ethnography) and apply them to films, TV, comics, and popular literature, with the bulk of the work being weekly readings, a research project, and leading seminar sessions yourself. It sits on the cultural-studies side of COMD's graduate offerings, useful if your thesis touches on fandom, taste, identity, or cross-cultural circulation rather than production or industry analysis.
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Course Learning Outcomes: Course Learning Outcome Assessment Developed an awareness of how texts always appear in particular historic and material forms In-class participation Papers(s)/Reports Final:Essay/written Learning how to understand more of the multiple lives of media texts In-class participation Papers(s)/Reports Final:Essay/written Developing critical and analytical skills through encountering the changes of meaning that media texts are exposed to when they appear in new contexts In-cl