Curatorship is treated here as a critical practice, not just exhibition logistics: you examine how museums, biennials, and the figure of the curator shape what counts as art, taste, and cultural memory from the late 1960s onward. Expect to read into curatorial discourse, analyze how major international art events actually operate, and develop your own project and paper proposal that you defend in class alongside a midterm and final. As a senior spring requirement, it pairs studio and art-history background with the institutional and management side of the field, setting you up for Curatorial Studies II and for thinking seriously about working in museums, biennials, or independent curatorial projects.
→ STARS müfredatı (resmi syllabus)
İlk dosyayı sen atarsan — not, slayt, geçmiş sınav, çözüm, cheat-sheet, ne varsa — defter ekibi öğrenci paylaşımlarından bu dersin notlarını yazar. Drive linki / PDF / ZIP, hepsi olur.
Course Learning Outcomes: Course Learning Outcome Assessment have a command upon important terminology used in curation practices within a globalized curatorial discourse Presentation Participation Final Exam have an understanding of the impacts on social, cultural and historical developments in the founding and management of museums. Presentation Midterm Final Exam be bale to interpret exhibitions, bienalles and curatorial practices at international level Two Separate Projects Presentation anal