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MSC 487

Introduction to Electroacoustic Music

Electroacoustic music treats recorded and synthesized sound itself as the compositional material, and this course is essentially a studio apprenticeship in that tradition, you learn to hear, capture, edit, and transform sound the way a composer working since Schaeffer and Stockhausen would. Expect weekly listening reports, four hands-on projects in Reaper (field recording, concrète editing, synthesis, spectral/granular transformation), a midterm, and a final concert where your fixed-media piece is diffused for an audience. It's a standalone entry point with no hard prerequisites, but it grounds the critical listening and signal-processing intuition that any later work in composition, sound design, or studio production depends on.

Kredi3ECTS5FakülteFaculty of Music and Performing ArtsBölümMusicKoordinatörTahsin Tolga Yayalar

→ STARS müfredatı (resmi syllabus)

Haftalık müfredat 14 hafta

Hafta 114–20 Eyl

Derse Giriş: Electroacoustic Music Estetiği

Introduction to the course I Introduction to the culture and aesthetics of Electroacoustic Music as a genre

electroacoustic musicestetiktür kültürü

Hafta 221–27 Eyl

Ses, işitme ve Reaper ile kayıt

What is sound, how do we hear? Properties of sound: Amplitude, Frequency, Timbre Psychological Acoustics - Studio Vitals, sign out of material, sign out of studio time Introduction to Reaper Recording with Reaper Basic Editing with Reaper

amplitudefrequencytimbreReaper

Hafta 328 Eyl – 4 Eki

Tape style editing ve handheld recorder

Tape style editing External audio editors - deconstructive editing - PROJECTS - In class listening Introduction to Handheld recorders

external audio editorsdeconstructive editingin class listeninghandheld recorders

Hafta 45–11 Eki

Tape style editing tekniği

Tape style editing

tape style editing

Hafta 512–18 Eki

Reduced listening ve tape editing teknikleri

Reduced Listening and Concrète Sound Material Categorization of Sound - Basic automation Tape style editing techniques

reduced listeningmusique concrèteses kategorizasyonutape style editing

Hafta 619–25 Eki

Noise türleri, filtreleme ve compressor'lara giriş

Noise and noise types Filters and basic dynamic processing Working with noise Filtering and EQ - PROJECTS - In-class Listening Introduction to Compressors

noise typefilteringEQcompressor

Hafta 726 Eki – 1 Kas

Analog sentez ve modülasyon temelleri

Fundamentals of Analog Synthesis Modulation Synthesis - Wavetable Synthesis Introduction to Novation Bass Synth

analog synthesismodulation synthesiswavetable synthesisNovation Bass Synth

Hafta 82–8 Kas

Stereo imaj, panning ve signal routing

Stereo Image, Virtual Space, Panning etc… - PROJECTS - In-class Listening Basic signal routing Auxiliary channels Serial vs Parallel Processing

stereo imagepanningauxiliary channelserial vs parallel processing

Hafta 99–15 Kas

Soundscape Kompozisyonu ve Dinleme Sınavı Hazırlığı

Aesthetics and techniques of soundscape composition - What do we listen to? Preparation for the listening exam

soundscape compositiondinleme pratiğilistening exam

Hafta 1016–22 Kas

Spectral Processing ve FFT Araçları

Spectral Processing, Basic FFT Introduction to spectral tools, RX, Audiosculpt, Spear vs…

FFTRXAudiosculptSpear

Hafta 1123–29 Kas

Çok kanallı ses ve live diffusion

Multi-channel sound / Live Diffusion / Introduction to multi-channel mixer

multi-channel soundlive diffusionmulti-channel mixer

Hafta 1230 Kas – 6 Ara

Microsound ve granular synthesis

Microsound, Granular Synthesis

microsoundgranular synthesis

Hafta 137–13 Ara

Varyasyon olarak dönüşüm I ve ileri editing araçları

Transformation as variation and development I Advanced editing tools - GRM - Sonic Narrative (sonic drawing, spectral shapes, gestures vs..) Advanced Editing Tools - Metasynth

GRMsonic narrativespectral shapesMetasynth

Hafta 1414–20 Ara

Varyasyon olarak dönüşüm II ve Ircam Tools

Transformation as variation and development II Advanced Editing Tools - Ircam Tools - Discussion of projects

Ircam Toolsadvanced editingproje tartışması

Değerlendirme 82% · 5 adım

30%

10%

24%

10%

Final An 8-channel fixed media electroacoustic piece 30%

Midterm Listening Exam 10%

Project Small scale pieces 24%

Oral presentation Presentation of pieces from the repertoire 10%

Weekly Reports Listening Journal 8%

en büyük tek kalem %30 · sınav ağırlığı %49 nasıl hesaplanıyor

Önerilen kaynaklar 1 kitap

📕

Zorunlu

Composing Electronic Music

a new aesthetic, Curtis Roads

Bu dersi alınca · 8 öğrenme çıktısı

Realizing creative music pieces in the style of acousmatic concert musicAn 8-channel fixed media electroacoustic piece, Small scale pieces
Developing critical listening skills and broadening your idea of music.Listening Exam, Presentation of pieces from the repertoire, Listening Journal, In-class participation In-class attendance
Building an in-depth knowledge of electroacoustic music repertoire by studying works by composers such as Edgar Varèse, Karlheinz Stockhausen, Iannis Xenakis, Pierre Schaeffer, Pierre Henry, Jonathan Harvey, Luc Ferrari, Bernard Parmegiani, François Bayle, Pauline Oliveros, Morton Subotnick, Francis Dhomont, Jonty Harrison, Jean-Claude Risset, Natasha Barrett etc...Listening Exam, Presentation of pieces from the repertoire, Listening Journal
Learning fundamentals of acoustic and electroacoustic music theory in order to compose music.Small scale pieces, In-class participation In-class attendance
Learning about recording and editing sound in order to compose fixed media works.An 8-channel fixed media electroacoustic piece, Small scale pieces
Learning to work with time and spaceAn 8-channel fixed media electroacoustic piece, Small scale pieces
Learning to work with Reaper to realize electroacoustic music compositions.An 8-channel fixed media electroacoustic piece, Small scale pieces, In-class participation In-class attendance
Learning high-order ambisonics, binaural and other spatialization techniques to create multi- channel works.An 8-channel fixed media electroacoustic piece

Bilkent'in resmî syllabus'ünden. Sağdaki etiket o çıktının hangi değerlendirmeyle ölçüldüğünü söylüyor.

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