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MSC 182

Ear Training II

Ear Training II is about wiring your ear directly to musical syntax, hearing a chord, cadence, or modulation and knowing what it is before you think about it, and conversely turning what you hear into accurate notation on the page. Each week you alternate between solfège (sight-singing across the do clefs, self-accompanied lines, intonation and rhythm drills) and dictation, working up to three-part, 16-measure passages with mixed rhythms and agogic accents, while the theory side covers seventh and dominant-seventh resolutions, common-chord modulation, and cadence analysis. It's the second half of the foundational aural sequence, and the fluency you build here is what later harmony, counterpoint, and performance courses quietly assume you already have.

Kredi2ECTS3.5FakülteFaculty of Music and Performing ArtsBölümMusicÖn koşulMSC 181KoordinatörÜlkemin Akbaş

Haftalık müfredat 14 hafta

Hafta 114–20 Eyl
Teori ve solfege tekrarı
Theory and solfege review.
teorisolfegetekrar
Hafta 221–27 Eyl
Major ve minor scale'de tonal chromatization
Theory: The tonal chromatization of the major and minor scale. Solfege: Exercise for intonation and rhythm. The solo and collective musical reading - do clefs. Self accompanied solfege. Dictation: one-part, two-parts and three-parts 16 measure dictees containig mixed rhythms, intervalles, agogy etc.
tonal chromatizationmajor scaleminor scaledictation
Hafta 328 Eyl – 4 Eki
Atonal chromaticization ve solfege çalışmaları
Theory:Atonal chromaticization. Solfege: Exercise for intonation and rhythm. The solo and collective musical reading - do clefs. Self accompanied solfege. Dictation: one-part, two-parts and three-parts 16 measure dictees containig mixed rhythms, intervalles, agogy etc.
atonal chromaticizationdo clefsself-accompanied solfegedictation
Hafta 45–11 Eki
Seventh chords inversions ve solfege
Theory: Seventh chords - inversions. Solfege: Exercise for intonation and rhythm. The solo and collective musical reading - do clefs. Self accompanied solfege. Dictaction: one-part, two-parts and three-parts 16 measure dictees containig mixed rhythms, intervals, agogy etc.
seventh chordsinversionsdo clefsdictation
Hafta 512–18 Eki
Dominant7 chord ve resolutions
Theory: The Dominant7 chord and resolutions. Solfege: Exercise for intonation and rhythm. The solo and collective musical reading - do clefs. Self accompanied solfege. Dictation: one-part, two-parts and three-parts 16 measure dictees containig mixed rhythms, intervals, agogy etc.
Dominant7 chordresolutionsdo clefsdictation
Hafta 619–25 Eki
Dominant7 chord ve resolutions, devam
Theory: The Dominant7 chord and resolutions - continued. Solfege: Exercise for intonation and rhythm. The solo and collective musical reading - do clefs. Self accompanied solfege. Dictaction: one-part, two-parts and three-parts 16 measure dictees containig mixed rhythms, intervalles, agogy etc.
Dominant7 chordresolutionsdo clefsdictation
Hafta 726 Eki – 1 Kas
Common-chord analizi ve solfege
Theory:Analyzing common-chord. Solfege: Exercise for intonation and rhythm. The solo and collective musical reading - do clefs. Self accompanied solfege. Dictation: one-part, two-parts and three-parts 16 measure dictees containig mixed rhythms, intervalles, agogy etc.
common-chordanalizdo clefsdictation
Hafta 82–8 Kas
Midterm: teori, dikte ve solfej
Midterm exam: theory and dictation - writing, solfege - orally.
midtermteoridiktesolfej
Hafta 99–15 Kas
Cadences, solfege ve dictation
Theory:Cadences. Solfege: Exercise for intonation and rhythm. The solo and collective musical reading - do clefs. Self accompanied solfege. Dictation: one-part, two-parts and three-parts 16 measure dictees containig mixed rhythms, intervalles, agogy etc.
cadencesdo clefsself-accompanied solfegedictation
Hafta 1016–22 Kas
Cadences devamı, solfege ve dictation
Theory:Cadences-continued.. Solfege: Exercise for intonation and rhythm. The solo and collective musical reading - do clefs. Self accompanied solfege. Dictation: one-part, two-parts and three-parts 16 measure dictees containig mixed rhythms, intervalles, agogy etc.
cadencesdo clefsself-accompanied solfegedictation
Hafta 1123–29 Kas
Cadences analizi ve solfege
Theory:Cadences -analyzing . Solfege: Exercise for intonation and rhythm. The solo and collective musical reading - do clefs. Self accompanied solfege. Dictation: one-part, two-parts and three-parts 16 measure dictees containig mixed rhythms, intervalles, agogy etc.
cadencesanalizdo clefsdictation
Hafta 1230 Kas – 6 Ara
Müzik terminolojisi, analiz ve solfege
Theory: Music terminology and analyzing. Solfege: Exercise for intonation and rhythm. The solo and collective musical reading - do clefs. Self accompanied solfege. Dictation: one-part, two-parts and three-parts 16 measure dictees containig mixed rhythms, intervalles, agogy etc.
music terminologydo clefsagogydictation
Hafta 137–13 Ara
Müzik terminolojisi, analiz ve solfege
Theory: Music terminology and analyzing. Solfege: Exercise for intonation and rhythm. The solo and collective musical reading - do clefs. Self accompanied solfege. Dictation: one-part, two-parts and three-parts 16 measure dictees containig mixed rhythms, intervalles, agogy etc.
music terminologydo clefsagogydictation
Hafta 1414–20 Ara
Final: teori, dikte ve solfej
Final exam: theory and dictation - writing, solfege - orally.
teoridiktesolfejyazılı ve sözlü sınav

Önerilen kaynaklar 12 kitap

📕
Zorunlu
Manuel Pratique pour l'etude des cles
G.Dandelot
1999 · Max Eschig
📕
Zorunlu
Elements pratiques du rythme mesure
F.Fontaine
1955 · Henry Lemoine
📕
Zorunlu
Zbior cwiczen
H.Danyszowa
1986/VIII · PWM
📕
Zorunlu
Singing exercises 3A
A.Lavignac
2005 · H.Lemoine
📕
Zorunlu
Le solfege contemporain vol.3
4., A.Beaucamp
1953 · P.Noel
📖
Önerilen
Czytanie nut glosem
M.Wacholc
1994 · PWM
📖
Önerilen
İki ve üc sesli solfej (do anahtarları)
N.Laduhin
1966 · Muzyka Moskwa
📖
Önerilen
Solfege
ear training, rhytm
dictation and music theory. · M.Ghezzo
📖
Önerilen
Cles and rythmes
O.Gartenlaub
1979 · Hortensia
📖
Önerilen
Lecture et de rythme
A.Weber
2000 · A.Leduc
📖
Önerilen
Modus Novus
L.Edlund
1983 · PWM
📖
Önerilen
Etudes d'intervalles
J.Rueff
1984 · A.Leduc

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⚠️ FZ engelleyen şartlar

The students will develop their perceptions of modal and tonal music, acquire competence for musical performance with good intonation, improve their ensemble skills and study the basic rhythms and patterns of irregular time signatures. The repertoire and exercice material include music from Gregorian chant to Late Romanticism

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