Hafta 114–20 Eyl
İkinci çevrim triadlar ve kadanslar tekrarı
Triads in Second Inversion and Cadences (review): Musical form (phrases, theme) • Cadences and harmonic rhythm • Motive, phrase, period, and sentence • Bass and soprano harmonization, formal considerations • Ear-Training (ET)
cadenceharmonic rhythmmotive ve periodear training
Hafta 221–27 Eyl
İkinci çevrim triad'larla bas-soprano armonizasyonu
Review of bass and soprano harmonization with triads in second inversion • ET
bass harmonizationsoprano harmonizationsecond inversionET
Hafta 328 Eyl – 4 Eki
Akor dışı sesler (1): passing tone ve suspension
Nonchord Tones (1): Harmonic analysis - Identifying chord and nonchord tones, chord labeling • Classification of nonchord tones (1) : Passing tones, neighboring tones, suspensions and retardations • Embellishing a simple texture • Analysing Bach’s Chorales • ET
passing toneneighboring tonesuspension ve retardationBach chorale analizi
Hafta 45–11 Eki
Akor dışı sesler (2): appoggiatura ve pedal point
Nonchord Tones (2): Harmonic analysis - Classification of nonchord tones (2) : Appogiaturas, escape tones, the neighbor group, anticipations, the pedal point • Special problems in the analysis of nonchord tones • ET
appoggiaturaescape toneanticipationpedal point
Hafta 512–18 Eki
Akor dışı sesler ve harmonic analysis
Review of nonchord-tone and harmonic analysis • ET
nonchord-toneharmonic analysisET
Hafta 619–25 Eki
Secondary dominant akorlar ve kromatizme giriş
Secondary Functions (1) / Introduction to chromaticism and altered chords • Secondary dominant chords • Spelling secondary dominants • Recognizing secondary dominants • Secondary dominants in context • ET
secondary dominantchromaticismaltered chordsET
Hafta 726 Eki – 1 Kas
Secondary leading-tone akorlar ve modülasyon (Midterm)
Secondary Functions (2) / Secondary leading-tone chords • Spelling secondary leading-tone chords • Recognizing secondary leading-tone chords • Secondary leading-tone chords in context • Sequences involving secondary functions • Deceptive resolutions of secondary functions • Other secondary functions • Review of secondary functions and modulation with bass harmonization and harmonic analysis for the Midterm Exam • ET • Midterm Exam : secondary functions and modulation with bass harmonization, harmonic analysis
secondary leading-tone chordmodulationbass harmonizationharmonic analysis
Hafta 82–8 Kas
Secondary functions, modülasyon ve soprano harmonizasyonu
Secondary functions and modulation with soprano harmonization and harmonic analysis • ET
secondary functionsmodulationsoprano harmonizationharmonic analysis
Hafta 99–15 Kas
Modulation (1): diyatonik common-chord ile ton geçişi
Modulations (1) Using Diatonic Common Chords / Modulation and change of key • Modulation and tonicization • Key relationships • Common-chord modulation • Analyzing common-chord modulation • ET
modulationtonicizationcommon-chord modulationkey relationships
Hafta 1016–22 Kas
Modulation (2): diğer modülasyon teknikleri
Modulations (2) Using Some Other Techniques / Altered chords as common-chords • Sequential modulation • Modulation by common-tone • Monophonic modulation • Direct modulation • ET
altered chordssequential modulationcommon-tone modulationdirect modulation
Hafta 1123–29 Kas
Modülasyon ve soprano armonizasyonu tekrarı
Review of modulations with soprano harmonization • ET
modulationsoprano harmonizationET
Hafta 1230 Kas – 6 Ara
V7 akoru, çözülüşü ve çevrimleri
The V7 Chord / Considerations of voice-leading • The approach to the 7th • The V7 in root position • The V7 in three parts • Other resolutions of the V7 • The inverted V7 chord • The V5/6 chord • The V3/4 chord • The V2 chord • ET
V7 chordvoice-leadingroot positioninverted V7
Hafta 137–13 Ara
II7 ve VII7 akorları, voice-leading
The II7 and VII7 Chords / Considerations of voice-leading • The II7 chord • The VII7 chord in major • The VII7 chord in minor • ET
II7 chordVII7 chordvoice-leading
Hafta 1414–20 Ara
Final: yedili akorlarla armonizasyon
Review of seventh-chords with bass and soprano harmonization for the Final Exam • ET • Final Exam : bass and soprano realization involving 7th-chords, harmonic analysis
seventh-chordbass and soprano realizationharmonic analysisFinal Exam