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MSC 214

Advanced Orchestration II

Where Advanced Orchestration I trains you in the standard 19th-century palette, this sequel pushes into the 20th and 21st century: extended instrumental techniques, parametric notation, and computer-assisted orchestration with tools like Orchidea, OpenMusic, and Max. You'll spend the semester on six homeworks and two larger projects that ask you to translate non-musical sound, speech, animal calls, natural acoustic phenomena, industrial noise, synthetic textures, into idiomatic writing for medium-to-large ensembles. The point is to expand what "orchestration" means once timbre itself becomes a compositional parameter, which sets up the kind of score-craft expected in upper-level composition and the senior project.

Kredi3ECTS5FakülteFaculty of Music and Performing ArtsBölümMusicÖn koşulMSC 213KoordinatörOnur Yıldırım

→ STARS müfredatı (resmi syllabus)

Haftalık müfredat 14 hafta

Hafta 114–20 Eyl

Derse Giriş ve Writing for Voice

Introduction to the Course | Writing for Voice

ders tanıtımıwriting for voice

Hafta 221–27 Eyl

Gitar (klasik ve elektro) ve akordeon

Guitar (Classical and Electric) | Accordion

klasik gitarelektro gitarakordeon

Hafta 328 Eyl – 4 Eki

Parametrik decoupling ve prescriptive notation

Parametric Decoupling and Prescriptive Notation

parametric decouplingprescriptive notation

Hafta 45–11 Eki

Timbre ve computer-assisted orchestration I

Instrumental Timbre Revisited | Computer-assisted Orchestration I: Tools and Techniques

instrumental timbrecomputer-assisted orchestrationaraçlar ve teknikler

Hafta 512–18 Eki

Computer-assisted orchestration: workspace ve static sounds

Computer-assisted Orchestration II: Creating a Workspace | Computer-assisted Orchestration III: Static Sounds

computer-assisted orchestrationworkspacestatic sounds

Hafta 619–25 Eki

Dynamic sounds ve sound mimesis tarihi

Computer-assisted Orchestration VI: Dynamic Sounds | Sound Mimesis: A Historical and Cultural Overview

computer-assisted orchestrationdynamic soundssound mimesis

Hafta 726 Eki – 1 Kas

Sound mimesis ve insan sesinin taklidi

Sound Mimesis: A Historical and Cultural Overview Instrumental Imitation of the Human Voice I

sound mimesisinstrumental imitationinsan sesitarihsel-kültürel bakış

Hafta 82–8 Kas

Çalgılarla insan sesinin taklidi

Instrumental Imitation of the Human Voice

instrumental imitationhuman voice

Hafta 99–15 Kas

Uygulamada orchestration: Speakings ve Le Lac

Computer-assisted Orchestration in Practice: Speakings | Orchestrating Natural Acoustic Phenomena I: Le Lac Revisited

computer-assisted orchestrationSpeakingsLe Lacnatural acoustic phenomena

Hafta 1016–22 Kas

Doğal akustik olaylar ve hayvan sesleri

Orchestrating Natural Acoustic Phenomena II | Orchestrating Animal Vocalizations

natural acoustic phenomenaanimal vocalizationsorchestration

Hafta 1123–29 Kas

Found ve prepared enstrümanlar, endüstriyel sesler I

Found and Prepared Instruments | Orchestrating Industrial Sounds I

found instrumentsprepared instrumentsindustrial soundsorchestration

Hafta 1230 Kas – 6 Ara

Endüstriyel seslerin orkestrasyonu II

Orchestrating Industrial Sounds II | Computer-assisted Orchestration in Practice II

industrial soundscomputer-assisted orchestration

Hafta 137–13 Ara

Sentetik seslerin orkestrasyonu III

Orchestrating Synthetic Sounds | Computer-assisted Orchestration in Practice III

synthetic soundscomputer-assisted orchestration

Hafta 1414–20 Ara

Live electronics ile computer-assisted orchestration

Computer-assisted Orchestration with Live Electronics

computer-assisted orchestrationlive electronics

Değerlendirme 100% · 4 adım

24%

25%

35%

16%

Homework Assignments 24%

Project Midterm Project and Presentation, Final Project 60%

In-class participation Attendance/Participation 16%

en büyük tek kalem %35 nasıl hesaplanıyor

Önerilen kaynaklar 5 kitap

📕

Zorunlu

The Study of Orchestration 4th ed

Samuel Adler

2016 · W.W. Norton & Company Required - Software: Max 7 or 8 with the Orchidea computer-assisted orchestration package Required - Software: OpenMusic Required - Software: Praat, computational phonetics software Required - Software: DAW (GarageBand

📖

Önerilen

Bärenreiter's “Contemporary instrumental and vocal techniques” book series

📖

Önerilen

Contemporary compositional techniques and OpenMusic

Hirs, Rozalie and Gilmore

Bob (ed.)

📖

Önerilen

The Technique of Orchestration

Kennan, Kent W. and Grantham

Donald · 2001/6.

📖

Önerilen

Orchestration

Piston, Walter

1955 · W. W. Norton & Company

Bu dersi alınca · 6 öğrenme çıktısı

● Demonstrate advanced theoretical and technical knowledge alongside practical skills in transcribing music and analyzing scores from literature for double and triple orchestraMidterm Project and Presentation, Final Project, Attendance/Participation
● Work progressively towards a deadline with regular partial submissions of extensive projects handling medium- to large-sized orchestral powers idiomatically.Midterm Project and Presentation, Final Project, Attendance/Participation
● Illustrate intensive engagement, intellectually as well as concerning compositorial craft, with presented course materials and visions next to rather abstract fields of tension such as style, modernism, cultural location, etc.Midterm Project and Presentation, Final Project, Attendance/Participation
● Show advanced ability to draw on both previously learned and recently acquired knowledge of instrumentation, music-practical experiences, critical thinking and creativity, applying music theory and analytical skills critically, linking and synthesizing diverse fields such as harmony and voice-leading, form, style, historical and genre-typical characteristics imaginatively.Midterm Project and Presentation, Final Project, Attendance/Participation
● Explore thoroughly creative works, i.e. music scores and their executions, scholarly and music-theoretical sources to discover others’ ideas and skills about course contents and refer to those correctly, providing as well specific examples to allow illustration and support of own complex original ideas effectively.Midterm Project and Presentation, Final Project, Attendance/Participation
● Communicate and justify findings, ideas and creations concerning own orchestral designs through sufficiently sophisticated, coherent and logical ways of music notation and further verbal explanations.Midterm Project and Presentation, Final Project, Attendance/Participation

Bilkent'in resmî syllabus'ünden. Sağdaki etiket o çıktının hangi değerlendirmeyle ölçüldüğünü söylüyor.

Ders notları · henüz yok

MSC 214 için defter ekibi henüz not yazmadı.

İlk dosyayı sen atarsan: not, slayt, geçmiş sınav, çözüm, cheat-sheet, ne varsa. defter ekibi öğrenci paylaşımlarından bu dersin notlarını yazar. Drive linki / PDF / ZIP, hepsi olur.

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Geçmiş GPA dağılımı 11 dönem · ort. 3.50

Dönem	Course CPA
2022-2023 Spring	3.70	1 sec · 1 öğr
2021-2022 Spring	3.34	1 sec · 5 öğr
2020-2021 Spring	3.30	2 sec · 2 öğr
2019-2020 Spring	2.15	2 sec · 2 öğr
2018-2019 Spring	3.68	1 sec · 4 öğr
2016-2017 Spring	3.35	2 sec · 4 öğr
2015-2016 Spring	3.65	3 sec · 3 öğr
2012-2013 Spring	4.00	1 sec · 1 öğr
2011-2012 Spring	4.00	1 sec · 1 öğr
2010-2011 Spring	3.30	1 sec · 1 öğr

Aggregate course GPA · Bilkent STARS'tan public data. Hoca-bazlı per-section detayı için STARS evaluation report →. Öğrenci anket cevapları KVKK kapsamında defter'de tutulmaz. Tüm derslerin ortalamaları →

2026-2027 Güz için şubesi henüz görünmüyor. Kayıt sistemi bu dersi bu dönem listelemiyor, ama şube girişi sürüyor: ders kaydı 15 Eylül, bölümler o güne kadar şube ekleyebiliyor. Son 4 güz döneminde açılmamış; en son 2016-2017 güz döneminde açılmış. Ön kayıt müfredat üzerinden yapılıyor, açılan şube listesi üzerinden değil; o yüzden ön kayıtta seçebildiğin bir dersin şubesi burada henüz görünmeyebilir. Kesin sonuç ders kaydında belli oluyor. kayıt tarihleri → · açık dersler

⚠️ FZ engelleyen şartlar

Course Learning Outcomes: Course Learning Outcome Assessment ● Demonstrate advanced theoretical and technical knowledge alongside practical skills in transcribing music and analyzing scores from literature for double and triple orchestra Midterm Project and Presentation Final Project Attendance/Participation ● Work progressively towards a deadline with regular partial submissions of extensive projects handling medium- to large-sized orchestral powers idiomatically. Midterm Project and Presentati

Hocalar 0 bu dönem · 5 geçmiş

Geçmişte ders veren (5 kişi)

Işın Metin, Onur Yıldırım, Ülkemin Akbaş, Canbekir Bilir, Yiğit Aydın